I travelled to Bath for a meet-up with Anna and after a catch-up on progress on our individual OCA work, we went along to the Graduate Show of Bath School of Art and Design. A busy day as this was also an Open Day for prospective students. Oh to be young again with the world at my feet!
There was a huge variety of work to view, scattered over the site, and here’s a selection from those I found particularly interesting.
After talking with Susannah Lemon – a Three Dimensional Designer – about the sculptural lamp she had created from an old bicycle chain, I was attracted towards a table of ‘artefacts’ and other objects created by Joshua Roughly another student of Three Dimensional Design.
He focused on “…. The creation , curation and study of objects and spaces that tell stories through a conceptual narrative attachment”, and his Design Studio is named Sögumaður – the place where stories are made. The table/display contained his project based on Cryptogeology “the pseudoscientific study of geological formations that feature physical, chemical or historical references that are able to prove or suggest the potential existence of creatures that have a disputed or unsubstantiated actuality”- creatures such as trolls, objects and structures – to be touched and viewed and wondered about.
Juan Fontcuberta’s name doesn’t seem to be mentioned but, to me, Joshuas’s work seems in the same spirit and I enjoyed its whimsical and imaginative nature. He even has an Etsy shop where he sells textile taxidermy
In her Traditional and Digital Paintings and sketches Josephine explores classical figurative painting from a contemporary stance including using symbolic imagery from nature. The use of colour and the direct gaze really drew me here and I could almost imagine her subject stepping out of the frame.
The above is a detail from a very large ‘installation’ strung along a wide area. Elizabeth’s work relates to the body – the concept of ‘fat rolls’ and body image – including sculptural installations(as this one) using various types of materials such as latex, chains, woods, butchers’ hooks and bin bags. This is a visceral project that certainly almost hit me in the eyes and made me walk closer to look. Elizabeth was also involved in a Facebook Project “The Postal Art Project” that involved responding to a second-hand postcard – the outcome to be a collaborative zine. Interesting description of her approach to it here
Delicate drawings in a concertina book from Maria who is a Contemporary Arts graduate, printmaker and bookbinding enthusiast who handwrites her blog posts.
Some of the ones we looked at appeared in Source Graduate Photography Online and it was from there that I was able to obtain links to websites.
Tempus Fugit a series of still life images, photographed in Dutch Vanitas style, “ ….illustrating the accelerating rate of the consumption of consumer goods and thus the associated resources”. He also showed his series In Step – a study of discarded shoes.
The Tempus Fugit images were most professional and well-presented and the discarded shoes series has a quirky personality all their own. Steve’s comprehensive Professional Contexts 3 academic blog makes interesting reading as well.
I am becoming increasingly interested in alternative methods and so was drawn towards Charlotte’s delicate images conveying her fascination with water. The images were produced through the use of photo etching which is something I know nothing about and my internet searches produced little information.
Aleksandra came to England from Poland at the age of eleven and the series Rodzinka focuses on ideas of identity and belonging following a period of reconnection with Poland and spending time with members of her family. Her entry in Source Online focuses instead on landscape and the woodlands that enabled her to build a sense of place when she came to England.
Alena comes from Chicago and the series I viewed explores how she became accustomed to living in Bath and came to terms with being homesick. She makes an interesting use of handwritten text on her display panels
It could have been because I interacted with them last but the photography work I saw, whilst interesting, didn’t impact me as much as the more three dimensional work I saw first. I was very aware of how ‘flat’ photographs can seem when viewed on a wall. Maybe this is why I find photo books so interesting because they are more tactile and am attracted towards the layering of images and alternatives methods. I felt relieved that Anna had a similar experience as she describes here