Workshop : An Introduction to Cyanotypes

Workshop with Russell Squires at Aspex Gallery, Portsmouth

Russell Squires   is a photographer, based in Portsmouth, who uses both traditional and digital processes in his fine art practice.  He is an OCA tutor in addition to teaching at other Institutions. The Workshop was held at the Aspex Gallery  https://aspex.org.uk  – a contemporary art gallery which is in a slightly hidden-away corner of Gunwharf Quays – a designer shopping outlet set in the re-developed historic waterfront of Portsmouth.  It’s a pleasant environment, especially on a lovely Summer’s day.

Russell had asked us to send him two jpegs beforehand so that he could convert them into digital negatives ready to use for cyanotypes (in fact he’d prepared two of each and explained to us that this gives a better contrast and structure) and had also prepared a set of treated paper to use (necessary given the relatively short amount of time we had). These were handed to us together with a proof contact frame to hold the prepared paper and objects/digital negatives.  Russell then quickly took us through aspects such as useful accessories; the formula/recipe for the cyanotype solution, how hydrogen peroxide can be used in one of the rinses after the print has been exposed (creates a deeper blue), the best type of brush for painting the solution on the paper (no metal parts),  and the type of paper that he uses ( Goldline Watercolour 200gsm )

We were shown how to weigh and prepare the solution (NB use de-ionised or mineral water to mix and a wooden stick – nothing metal) and then each of us prepared one sheet of paper ourselves which was then placed to dry, in a closed cardboard box to keep it in darkness,  ready to take home at the end of the day.  Next was to set up our first print, using a variety of objects and materials, place in the contact frame and then under a UV tube rather than out in sunlight.  Whilst waiting for the exposure to take, Russell told us some of the history of the Cyanotype process (John Herschel’s invention, Anna Atkins’s botanic prints) and how cyanotype prints came to be used for ‘blueprints’ and later family portraits because they were so cheap to make. Russell also showed us some of his own cyanotype  which varied from various kinds of blueprints  as here to cyanotype prints over-sewn with red thread. He also gave us names of some other contemporary artists who use the process in various ways including Stephen Turner who currently has an Exhibition of his work in the Gallery (see further information below).

Two prints were created using object/materials and then another using a digital negative.

 

2. After peroxide rinse

 

I enjoyed watching the prints emerge complete – through one water rinse, another rinse with water plus a couple of drops of hydrogen peroxide, further clean water rinse and then hung to dry out.  We prepared a further print but there was insufficient time to rinse it out. This proved to be my one ‘failure’ because I left it over a day to rinse out and it came out very pale.  I actually quite liked the paleness, but have begun to colour it in using Marshalls oil pencils for a different effect.

 

Some Contemporary Artists who use Cyanotype Process

Walead Beshty

Best known for his work in photography but he also uses many other media in his artistic process such as travelling with unexposed transparency film in his luggage and thus expxosing it to airport x-ray scannersHe has also exposed colour photographic paper to coloured light from a horizontal enlarger and processed this with a large-format colour processor, see here

A year of artistic process captured through cyanotypes

<p><a href=”https://vimeo.com/108348294″>Walead Beshty in The Curve</a> from <a href=”https://vimeo.com/barbicancentre”>Barbican Centre</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

Annie Lopez has made dresses from old patterns using material that has been printed using the cyanotype process

Rosie Emerson  mainly works on representing the female form. She creates screen prints using unusual materials and has also created hand finished prints using cyanotypes and acrylic paint see here

Stephen Turner

Turner’s multi-media work focuses on changes between human-made and natural environments. His most recent Project has been The Exbury Egg   a collaborative with Space Place & Urban Design (SPUD) and PAD Studio architects. He worked with the designers to create the Egg  which he used as a self-sustaining work space . It’s a fascinating construction, as you can see if you follow the link, and Turner used it to study the life of a tidal creek and create artwork in response.

I missed seeing The Egg itself when it was installed at Gunwharf Quays but, fortunately, there is an ongoing Exhibition Everything Comes from the Egg   at the Aspex Gallery( from June to 3rd September).  I was able to visit during lunchtime and found it fascinating.  There are many cyanotypes which he created using different materials ,such as discarded packaging, as a base plus  architectural drawings; small egg-shaped sculptures and glass jars filled with local flora.  I found it all very inspiring.

 

Interim thoughts

This was a thoroughly enjoyable workshop for me and I was surprised how quickly the time went by.  The Gallery was a lovely space to be in and Russell had created an excellent structure for the day – entwining creative work with information, practical skills and discussions.  I felt good to come away with completed creative work, think I now have a good grasp of how to create Cyanotype prints and am already thinking of  ways I can use them in my coursework.

 

References

http://russellsquires.co.uk/about/
https://aspex.org.uk
https://aspex.org.uk/whats-on/exhibitions/everything-comes-from-the-egg/

Home


https://www.artsy.net/artist/walead-beshty
http://www.phxart.org/exhibition/annielopez
http://www.rosieemerson.co.uk/about.html
http://www.rosieemerson.co.uk/portfolio.html
http://www.spudgroup.org.uk/exbury-egg
http://www.stephenturner.org.uk
https://www.etsy.com/uk/shop/spacemonkeypress?ref=l2-shop-info-name

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20 comments

      1. The fact that you are interested in them when surrounded and fluent in digital technologies means something. That’s how you can relate to it. What does it means? Do you find with them something that you do not find with digital? Or dies it offers to you the possibilities to reflect about issues relevant to digital culture?

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  1. What a fantastic workshop & great results , Russell is my present tutor . I’m looking forward to seeing more of your experiments & how you incorporate them into the coursework.

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  2. That does look like a worthwhile day, Catherine. I enjoy the variety of blues in your ptints. Thank you so much for the links to artists making related work, that’s my Sunday afternoon sorted! Look forward to seeing how you incorporate these new skills into your work.

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    1. It was certainly worthwhile Kate – thought of you. I was very impressed by Stephen Turner’s work in the Exhibition as well. Gave me lots of ideas.

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  3. Great coverage of the day, Catherine. The work you did at the workshop and your extension of it in to using coloured photo pencils are beautiful. The workshop left me feeling that I could extend the experience too in to other forms of expression. The tactile quality of the prints is what inspired me to try it again and again changing just one thing every time. What a super Sunday!

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  4. A good summary Catherine, I’m sorry I missed it. Perhaps you could run a workshop for us? I’ll look forward to hearing more about the process at a future meeting.

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  5. What a fascinating workshop! I have always wanted to try cyanotype, I love the butterfly image you produced! It reminds me of a blend between silk painting and glass painting. Look forward to seeing more of your work!

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